Area 48 Color

  • Power Cable

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incl. Curved yoke, Detachable barndoors, 48V PSUs and TVMP mounted on unit and with Powercon True1 to schuko cable



RGB + White + White (RGBWW)

New Area 48 Color delivers stunning saturated and tinted colors as well as precise clean white light in both 2700°K and 5600°K. At 13,000 Lumen output, it matches the original Area 48’s famous remote phosphor daylight and tungsten color rendering at both ends of the spectrum (2500K to 10,000K). All while drawing only 160W at full power. And it is 48V!

Raises Color Accuracy Bar

Precision color is a hallmark of BB&S Lighting. To ensure the finest color rendition, BB&S utilizes RGB and both white LEDs (2700K and 5600K) that are selectively binned to produce outstanding rendition.

Soft Output Wide Dispersion

Like the Area 48 Studio and Soft, Area 48 Color fixtures can provide output comparable to a 1500W Tungsten soft light. Maximum output is available in 5600°K and 2700°K. They deliver soft light, with wide 105º dispersion at 97.5 TLCI.

- No Color Shift During Dimming

– Most compact RGB + white + white fixture

– Touchscreen for DMX/RDM tweaking

– 97.5 TLCI throughout white range

– Full output at 5600°K & 2700°K

– Lightweight

– Extreme binning ensures best LEDs

– White light range: 2500°K to 10,000°K

– Plus/minus green, plus/minus magenta settings

– Full range dimming: 8/16 Bit 0% to 100%                       

– 48V

– Flicker-free at any frame rate

– Super-fast synced strobe ability

CCT Mode: 8 Bit
1: Intensity
2: CCT
3: + / - Green - Default value 50%
——— If Strobe is enabled
4: Strobe mode
5: Strobe Length

CCT Mode: 16 Bit
1: Intensity
2: Intensity Fine
3: CCT
4: CCT Fine
5: + / - Green - Default value 50%
6: + / - Green Fine
——— If Strobe is enabled
7: Strobe mode
8: Strobe Length

NEW FULL MODE
Full mode 8 Bit / New sw version
1: Intensity
2: Red
3: Green
4: Blue
5: Warm
6: Cold
——— If Strobe is enabled
7: Strobe mode
8: Strobe Length

Full mode 16 Bit / New sw version
1: Intensity
2: Intensity Fine
3: Red
4: Red Fine
5: Green
6: Green Fine
7: Blue
8: Blue Fine
9: Warm
10: Warm Fine
11: Cold
12: Cold Fine
——— If Strobe is enabled
13: Strobe mode
14: Strobe Length

CCT+
CCT+ 8 bit
1: Intensity
2: CCT
3: + / - Red - Default value 50%
4: + / - Green - Default value 50%
5: + / - Blue - Default value 50%
6: + / - Warm - Default value 50%
7: + / - Cold - Default value 50%
——— If Strobe is enabled
8: Strobe mode
9: Strobe Length

CCT+ 16 bit
1: Intensity
2: Intensity Fine
3: CCT
4: CCT Fine
5: + / - Red  - Default value 50%
6: + / - Red Fine
7: + / - Green - Default value 50%
8: + / - Green Fine
9: + / - Blue - Default value 50%
10: + / - Blue Fine
11: + / - Warm - Default value 50%
12: + / - Warm Fine
13: + / - Cold - Default value 50%
14: + / - Cold Fine
——— If Strobe is enabled
15: Strobe mode
16: Strobe Length

See the manual for more information including the new Effects. 

"The winning light with the least variation from camera to camera and the most accurate skintone is the BB&S Area 48 colour." - CML

To see the full CML test with 13 LED fixtures and 8 cameras:
https://cinematography.net/LED-Camera/LED-Camera-Index.html

Stunning Colors & Perfect White light

The Area 48 Color delivers stunning saturated and tinted colors as well as precise clean white light in both 2700°K and 5600°K. At 13,000 Lumen output, it matches the original Area 48’s famous remote phosphor daylight and tungsten color rendering at both ends of the spectrum (2500K to 10,000K). All while drawing only 160W at full power.

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Intuitive Touchscreen Operation

An on-board touchscreen offers local control or users can perform ON/OFF and color/white tweaking plus settings for plus/minus green, plus/minus magenta facilitate accuracy. They also offer full range dimming (8/16 Bit from 0% to 100%) and run flicker-free at any framerate, to fully accommodate high-speed shooting. It also accurately generates speed adjustable strobe effects within the fixtures software..

Fanless design - Completely silent. 

 

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